He was the son of an
antiquarian, got his education at Brera Academy in Milan,
where he was the pupil of G. Mentessi and Cesare Tallone.
He made his start at Esposizione of Brera in 1906. In the
first years of XX century he largely was active in poster
production, working together with editors such as Ricordi,
Chappuis, Armanino, Valcarenghi. As an illustrator, he
designed covers for several magazines and journals, covers
that represented meaningful examples of his idea of the
cover being a small scale manifesto. He was also author of
lyrics and music of songs published by Ricordi and other
editors.
He was in Paris, but the lay down of his figures that are
inserted in the background without any solution of
continuity and the accurate selection of chromatic bright
gammas around ochre, yellow and pink pastel hues refers to
the teaching of Cremona e Ranzoni. The first important
nucleus of works is evidence of the formation context of the
artist at the Lombard Scapigliatura, from whose climate
Malerba derives his early issues of elegant quality for a
conception of colour as a filling to form. In 1913 he wins
the Premio Canonica. In 1914 one of his works is accepted
in the royal Collections. In 1916 he gets a gold medal from
the Ministry of Public Education. He was not involved in
Futurist season. His designing activity increases and is
always accurately performed, his compositions evolve in more
solid and neatly conceived forms in the following years
until 1921. He performs in 1923 at the exhibition
"Contemporary Italian Art" at the Gallery Pesaro with the
painting La collegiale, that has been bought by the Modern
Art Gallery from Lima. His poetics foreruns his "Magic
Realism" already from the first 20s: paintings such as 'Femmina
volgo' of 1920 and 'Maschere' of 1922 are fundamental, the
first being shown at XIII Biennal of Venice and today at
the Modern Art Gallery in Rome. In his painting style is
stressed the photographic cut and the monument like icon,
softened by the typical atmosphere rareness, is impressive.
In 1922 Malerba is among the founders of the group "Novecento"
in Milan and in 1923 he exhibits with that group at Pesaro
Gallery. He resigns after the Venice Biennal of 1924 but
takes part to the exhibition "Twenty Italian artists"
presented by Ojetti at Pesaro. He dies in Milan when he is
46, while he was getting ready to participate to the "First
Exhibition of Italian XX Century " at the Fine Art Society
and Permanent Exhibition in Milan.
( Translation by Irene De Angelis
Curtis
)